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The Beach Boys · 1966

God Only Knows

12 notes across the harmonic analysis · 3 different passage shapes.

Chord-derived pitch classes, after David Temperley. The melody and other unannotated notes are not included. Method & limits

C0G1D2A3E4B5G♭6D♭7A♭8E♭9B♭10F11

All annotated harmonies combined

Whole analysis

Circle 4095 · 12 notes

C · D♭ · D · E♭ · E · F · G♭ · G · A♭ · A · B♭ · B

Does not fit inside one diatonic scale. This combines notes across time; compare the passages below to see where the field changes.

CGDA0E1B2F♯3C♯4G♯5D♯A♯F

Source passage · In

Intro

Circle 63 · 6 notes

C♯ · E · F♯ · G♯ · A · B

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

C0GD2A3E4B5F♯6C♯7G♯8D♯9A♯10F

Source passage · Vr

Verse

Circle 1535 · 10 notes

C · C♯ · D · D♯ · E · F♯ · G♯ · A · A♯ · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

CG0D1A2E3B4F♯C♯6G♯D♯A♯F

Source passage · So

Solo

Circle 125 · 6 notes

C♯ · D · E · G · A · B

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

CG2D3A4E5B6F♯7C♯8G♯9D♯10A♯F0

Source passage · Vr

Verse

Circle 1535 · 10 notes

C♯ · D · D♯ · E · F · F♯ · G · G♯ · A · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

CGDA0E1B2F♯3C♯4G♯5D♯A♯F

Source passage · Fadeout

Fadeout

Circle 63 · 6 notes

C♯ · E · F♯ · G♯ · A · B

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

Source & interpretation

David Temperley’s harmonic analysis of God Only Knows ↗, from the de Clercq–Temperley RS 200 corpus. Retrieved 19 October 2026.

The complete field includes all harmonies in the source’s S rule. The passages are its named top-level units; direct chords outside those units still contribute to the whole field. Repeated units with the same notes are merged. Labels such as “Passage A” preserve the source where a conventional section name is not given.

Notes and circle assignments are calculated by Chordfields from that analysis. They have not been independently verified against the recording. Read the full method.