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The Beach Boys · 1965

California Girls

11 notes across the harmonic analysis · 5 different passage shapes.

Chord-derived pitch classes, after David Temperley. The melody and other unannotated notes are not included. Method & limits

C0G1D2A3E4B5F♯6C♯7G♯8D♯9A♯10F

All annotated harmonies combined

Whole analysis

Circle 2047 · 11 notes

C · C♯ · D · D♯ · E · F♯ · G · G♯ · A · A♯ · B

Does not fit inside one diatonic scale. This combines notes across time; compare the passages below to see where the field changes.

CG0DA2E3B4F♯5C♯6G♯7D♯8A♯F

Source passage · In

Intro

Circle 383 · 8 notes

C♯ · D♯ · E · F♯ · G · G♯ · A · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

CGDA0E1B2F♯3C♯4G♯5D♯6A♯7F

Source passage · Vr

Verse

Circle 255 · 8 notes

C♯ · D♯ · E · F♯ · G♯ · A · A♯ · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C0G1D2A3E4B5F♯6C♯7G♯8D♯9A♯F

Source passage · Ch

Chorus

Circle 1023 · 10 notes

C · C♯ · D · D♯ · E · F♯ · G · G♯ · A · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

CGDAEB0F♯1C♯2G♯D♯4A♯5F

Source passage · Inst

Instrumental

Circle 59 · 5 notes

C♯ · D♯ · F♯ · A♯ · B

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

CGDAE0B1F♯2C♯3G♯4D♯5A♯F

Source passage · Fadeout

Fadeout

Circle 63 · 6 notes

C♯ · D♯ · E · F♯ · G♯ · B

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

Source & interpretation

David Temperley’s harmonic analysis of California Girls ↗, from the de Clercq–Temperley RS 200 corpus. Retrieved 19 October 2026.

The complete field includes all harmonies in the source’s S rule. The passages are its named top-level units; direct chords outside those units still contribute to the whole field. Repeated units with the same notes are merged. Labels such as “Passage A” preserve the source where a conventional section name is not given.

Notes and circle assignments are calculated by Chordfields from that analysis. They have not been independently verified against the recording. Read the full method.