← All songs

The Doors · 1967

Light My Fire

12 notes across the harmonic analysis · 4 different passage shapes.

Chord-derived pitch classes, after David Temperley. The melody and other unannotated notes are not included. Method & limits

C0G1D2A3E4B5G♭6D♭7A♭8E♭9B♭10F11

All annotated harmonies combined

Whole analysis

Circle 4095 · 12 notes

C · D♭ · D · E♭ · E · F · G♭ · G · A♭ · A · B♭ · B

Does not fit inside one diatonic scale. This combines notes across time; compare the passages below to see where the field changes.

C0G1D2A3E4B5G♭6D♭7A♭8E♭9B♭10F11

Source passage · In

Intro

Circle 4095 · 12 notes

C · D♭ · D · E♭ · E · F · G♭ · G · A♭ · A · B♭ · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C7GDAEB0G♭D♭A♭3E♭4B♭F6

Source passage · Vr

Verse

Circle 155 · 5 notes

C · E♭ · F · A♭ · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C6G7D8AEBG♭0D♭1A♭2E♭3B♭4F5

Source passage · Ch

Chorus

Circle 511 · 9 notes

C · D♭ · D · E♭ · F · G♭ · G · A♭ · B♭

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

CGDAEB0F♯C♯2G♯3D♯4A♯5F6

Source passage · So

Solo

Circle 95 · 6 notes

C♯ · D♯ · F · G♯ · A♯ · B

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

C8GDAE0B1G♭2D♭3A♭4E♭5B♭6F7

Source passage · Ch2

Chorus 2

Circle 511 · 9 notes

C · D♭ · E♭ · E · F · G♭ · A♭ · B♭ · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

Source & interpretation

David Temperley’s harmonic analysis of Light My Fire ↗, from the de Clercq–Temperley RS 200 corpus. Retrieved 19 October 2026.

The complete field includes all harmonies in the source’s S rule. The passages are its named top-level units; direct chords outside those units still contribute to the whole field. Repeated units with the same notes are merged. Labels such as “Passage A” preserve the source where a conventional section name is not given.

Notes and circle assignments are calculated by Chordfields from that analysis. They have not been independently verified against the recording. Read the full method.