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Al Green · 1971

Let's Stay Together

11 notes across the harmonic analysis · 3 different passage shapes.

Chord-derived pitch classes, after David Temperley. The melody and other unannotated notes are not included. Method & limits

C5G6D7A8E9B10G♭D♭0A♭1E♭2B♭3F4

All annotated harmonies combined

Whole analysis

Circle 2047 · 11 notes

C · D♭ · D · E♭ · E · F · G · A♭ · A · B♭ · B

Does not fit inside one diatonic scale. This combines notes across time; compare the passages below to see where the field changes.

C2G3D4A5E6BG♭D♭A♭E♭B♭0F1

Source passage · In

Intro

Circle 127 · 7 notes

C · D · E · F · G · A · B♭

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

C2G3D4A5E6B7G♭D♭9A♭E♭B♭0F1

Source passage · Vr

Verse

Circle 1021 · 9 notes

C · D♭ · D · E · F · G · A · B♭ · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C2G3D4A5E6BG♭D♭A♭E♭B♭0F1

Source passage · Ch

Chorus

Circle 127 · 7 notes

C · D · E · F · G · A · B♭

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

C4G5D6A7E8BG♭D♭A♭0E♭1B♭2F3

Source passage · Inst

Instrumental

Circle 511 · 9 notes

C · D · E♭ · E · F · G · A♭ · A · B♭

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C2G3D4A5E6BG♭D♭A♭E♭B♭0F1

Source passage · Fadeout

Fadeout

Circle 127 · 7 notes

C · D · E · F · G · A · B♭

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

Source & interpretation

David Temperley’s harmonic analysis of Let's Stay Together ↗, from the de Clercq–Temperley RS 200 corpus. Retrieved 19 October 2026.

The complete field includes all harmonies in the source’s S rule. The passages are its named top-level units; direct chords outside those units still contribute to the whole field. Repeated units with the same notes are merged. Labels such as “Passage A” preserve the source where a conventional section name is not given.

Notes and circle assignments are calculated by Chordfields from that analysis. They have not been independently verified against the recording. Read the full method.