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The Righteous Brothers · 1964

You've Lost That Lovin' Feelin'

8 notes across the harmonic analysis · 2 different passage shapes.

Chord-derived pitch classes, after David Temperley. The melody and other unannotated notes are not included. Method & limits

C7GDAEB0G♭1D♭2A♭3E♭4B♭5F6

All annotated harmonies combined

Whole analysis

Circle 255 · 8 notes

C · D♭ · E♭ · F · G♭ · A♭ · B♭ · B

Does not fit inside one diatonic scale. This combines notes across time; compare the passages below to see where the field changes.

C7GDAEB0G♭1D♭2A♭3E♭4B♭5F6

Source passage · Vr

Verse

Circle 255 · 8 notes

C · D♭ · E♭ · F · G♭ · A♭ · B♭ · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C7GDAEB0G♭1D♭2A♭3E♭4B♭5F6

Source passage · Ch

Chorus

Circle 255 · 8 notes

C · D♭ · E♭ · F · G♭ · A♭ · B♭ · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C6GDAEBG♭0D♭1A♭2E♭3B♭4F5

Source passage · Br

Bridge

Circle 127 · 7 notes

C · D♭ · E♭ · F · G♭ · A♭ · B♭

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

C6GDAEBG♭0D♭1A♭2E♭3B♭4F5

Source passage · BrP

Passage BrP

Circle 127 · 7 notes

C · D♭ · E♭ · F · G♭ · A♭ · B♭

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

C7GDAEB0G♭1D♭2A♭3E♭4B♭5F6

Source passage · Fadeout

Fadeout

Circle 255 · 8 notes

C · D♭ · E♭ · F · G♭ · A♭ · B♭ · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

Source & interpretation

David Temperley’s harmonic analysis of You've Lost That Lovin' Feelin' ↗, from the de Clercq–Temperley RS 200 corpus. Retrieved 19 October 2026.

The complete field includes all harmonies in the source’s S rule. The passages are its named top-level units; direct chords outside those units still contribute to the whole field. Repeated units with the same notes are merged. Labels such as “Passage A” preserve the source where a conventional section name is not given.

Notes and circle assignments are calculated by Chordfields from that analysis. They have not been independently verified against the recording. Read the full method.