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Eric Clapton · 1992

Tears in Heaven

11 notes across the harmonic analysis · 3 different passage shapes.

Chord-derived pitch classes, after David Temperley. The melody and other unannotated notes are not included. Method & limits

C2G3D4A5E6B7G♭8D♭9A♭10E♭B♭0F1

All annotated harmonies combined

Whole analysis

Circle 2047 · 11 notes

C · D♭ · D · E · F · G♭ · G · A♭ · A · B♭ · B

Does not fit inside one diatonic scale. This combines notes across time; compare the passages below to see where the field changes.

CGD0A1E2B3F♯4C♯5G♯6D♯A♯F

Source passage · In

Intro

Circle 127 · 7 notes

C♯ · D · E · F♯ · G♯ · A · B

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

CGD0A1E2B3F♯4C♯5G♯6D♯A♯F

Source passage · Vr

Verse

Circle 127 · 7 notes

C♯ · D · E · F♯ · G♯ · A · B

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

CG3D4A5E6B7F♯8C♯9G♯10D♯A♯0F1

Source passage · Ch

Chorus

Circle 1791 · 10 notes

C♯ · D · E · F · F♯ · G · G♯ · A · A♯ · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

CGD0A1E2B3F♯4C♯5G♯6D♯A♯F

Source passage · Li

Passage Li

Circle 127 · 7 notes

C♯ · D · E · F♯ · G♯ · A · B

Fits within a diatonic collection; no tonic is implied. This field belongs to this passage, not necessarily the whole song.

C0G1D2A3E4B5F♯6C♯G♯8D♯A♯F

Source passage · Br

Bridge

Circle 509 · 8 notes

C · D · E · F♯ · G · G♯ · A · B

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

Source & interpretation

David Temperley’s harmonic analysis of Tears in Heaven ↗, from the de Clercq–Temperley RS 200 corpus. Retrieved 19 October 2026.

The complete field includes all harmonies in the source’s S rule. The passages are its named top-level units; direct chords outside those units still contribute to the whole field. Repeated units with the same notes are merged. Labels such as “Passage A” preserve the source where a conventional section name is not given.

Notes and circle assignments are calculated by Chordfields from that analysis. They have not been independently verified against the recording. Read the full method.