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Nirvana · 1991

Smells Like Teen Spirit

8 notes across the harmonic analysis · 2 different passage shapes.

Chord-derived pitch classes, after David Temperley. The melody and other unannotated notes are not included. Method & limits

C6GD8AEBG♭0D♭1A♭2E♭3B♭4F5

All annotated harmonies combined

Whole analysis

Circle 509 · 8 notes

C · D♭ · D · E♭ · F · G♭ · A♭ · B♭

Does not fit inside one diatonic scale. This combines notes across time; compare the passages below to see where the field changes.

C5GD7AEBG♭D♭0A♭1E♭2B♭3F4

Source passage · Intro

Intro

Circle 253 · 7 notes

C · D♭ · D · E♭ · F · A♭ · B♭

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C5GD7AEBG♭D♭0A♭1E♭2B♭3F4

Source passage · Vr

Verse

Circle 253 · 7 notes

C · D♭ · D · E♭ · F · A♭ · B♭

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C6GD8AEBG♭0D♭1A♭2E♭3B♭4F5

Source passage · Ch

Chorus

Circle 509 · 8 notes

C · D♭ · D · E♭ · F · G♭ · A♭ · B♭

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C5GD7AEBG♭D♭0A♭1E♭2B♭3F4

Source passage · BP

Passage BP

Circle 253 · 7 notes

C · D♭ · D · E♭ · F · A♭ · B♭

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C5GD7AEBG♭D♭0A♭1E♭2B♭3F4

Source passage · Vrsolo

Passage Vrsolo

Circle 253 · 7 notes

C · D♭ · D · E♭ · F · A♭ · B♭

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

C5GD7AEBG♭D♭0A♭1E♭2B♭3F4

Source passage · Ch3

Chorus 3

Circle 253 · 7 notes

C · D♭ · D · E♭ · F · A♭ · B♭

Does not fit inside one diatonic scale. This field belongs to this passage, not necessarily the whole song.

Source & interpretation

David Temperley’s harmonic analysis of Smells Like Teen Spirit ↗, from the de Clercq–Temperley RS 200 corpus. Retrieved 19 October 2026.

The complete field includes all harmonies in the source’s S rule. The passages are its named top-level units; direct chords outside those units still contribute to the whole field. Repeated units with the same notes are merged. Labels such as “Passage A” preserve the source where a conventional section name is not given.

Notes and circle assignments are calculated by Chordfields from that analysis. They have not been independently verified against the recording. Read the full method.